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graybalanced

graybalanced

Lives in United States United States
Joined on Jul 11, 2009

Comments

Total: 471, showing: 1 – 20
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In reply to:

Rob Bernhard: The premise that niche markets benefit all photographers rings hollow. Niche markets benefit well-heeled photographers. Woe is you if you are a photographer on a budget.

@Rob Bernhard, at under $300-$400 the enthusiast compacts that both I and the DPReview article mentioned are far below the price point of a comparably equipped DSLR unless you are a) using very cheaply made lenses for your DSLR or b) have selectively chosen to define "quality cameras" so that they exclude the quality of images what the LX series, Canon S series, and others have been known to produce.

You said "This is not good for consumers who enjoy photography on a budget and who benefited, over time, from new technology moving into the lower tiers."

But my entire post was about new technology moving to lower tiers. Optical image stabilization, fast autofocus, high ISO, fast sharp lenses aided by real time distortion correction...these are all benefits available in an extremely affordable $299 camera now because they are precisely "technology moving into the lower tiers"! Little of that was available on compact cameras a few years ago. What was pro-level is now bargain basement.

Direct link | Posted on Sep 19, 2014 at 22:11 UTC
In reply to:

cgarrard: So much for sleep eh Richard? :)

I say its about time camera companies take risk and start building more enthusiast friendly cameras. I'd still like to see more risk and more niche's filled.

And maybe one of them will be bold enough to finally make a digital film cartridge we can use for our film cameras.

Carl

The digital film cartridge. Rumored and "announced" by various parties for 16 years...

...never shipped by anyone

Direct link | Posted on Sep 19, 2014 at 08:19 UTC
In reply to:

Rob Bernhard: The premise that niche markets benefit all photographers rings hollow. Niche markets benefit well-heeled photographers. Woe is you if you are a photographer on a budget.

Not necessarily true. The Panasonic LX3 cited in the article was personally revolutionary for me. In the film days few (maybe no) film P&Ss under $300 had the fast lens, the manual controls, or the high ISO performance of the LX series, and later the Canon S series for even less money (though I stuck with Panasonic).

Which means, if you are on a budget, the emergence of the enthusiast compact means that controls and capabilities you used to have to pay for an SLR to get have become available at a far lower price point.

Look at the big picture, quality (not just snapshot) photography has in many ways never been cheaper. I believe the reality is the opposite of what you have said.

Direct link | Posted on Sep 19, 2014 at 08:16 UTC
On Panasonic Lumix DMC-LX100 First Impressions Review preview (1070 comments in total)
In reply to:

burnin: The Panasonic GX7 has a flash, hotshoe and viewfinder.
I wonder they left the flash out of the LX100. Big mistake.

They didn't leave out the flash. They include a clip-on flash. Given that this camera is too big to be pocket-sized, chances are you are going to have at least some kind of small bag or large pocket with you if you carry this camera. Just put the flash in that bag or pocket and it will be there when you need it.

I am a very happy Panasonic LX7 user and I don't use the flash much. I would put the LX100 flash in the bag and based on my LX7 experience I don't think the flash is going to come out all that often.

If I am SERIOUS about flash use with this camera, then I don't care about the one Panasonic includes. I will slide a little flash trigger into the LX100 hot shoe and remotely set off my speedlight that is positioned at a much better angle for the subject.

Direct link | Posted on Sep 16, 2014 at 00:08 UTC
On Panasonic Lumix DMC-LX100 First Impressions Review preview (1070 comments in total)
In reply to:

kstano83: Just curious. What will happen when the zoom lens has a manual aperture ring which I set lets say to f1.7 and will zoom in. Will the camera override the aperture to the lowest value available?

If it works like my Panasonic LX7, the lens takes the largest aperture it can at the focal length. It gets smaller as you zoom in, but as you zoom out you can see the aperture get wider again until it reaches max wide angle, where it is once again able to hit the f/1.4 I manually set on the aperture ring.

Direct link | Posted on Sep 15, 2014 at 23:24 UTC
In reply to:

RichRMA: Using a phone as a primary photographic instruments is just being lazy. If you are a DSLR/mirrorless user and someone suggested to go use a little P&S, if you value the images you take, you'd ignore the suggestion. So why go and take images with a phone, other than the convenience?

@DerSteppenwolf I can tell you're very out of touch with both film and digital. There are a number of apps that let you control exposure time, like NightCap. Also, it is known that while film may have better overall dynamic range, digital's range has been shown to extend further into low light. Every cinematographer knows this! As for white balance, if you know film, you know that if your film is not matched to the light (e.g., shooting tungsten with daylight) and you didn't put a color filter on the lens, your colors will be way off and you will have to try and correct it in your color darkroom (you have one, right?). And light sources today are much more diversified than there are film types to match. Remember, we are talking about high ISO, where radical color corrections will make high ISO film look even worse. Digital white balance is simple, accurate, and fast.

Yes, great low light shots were made with film. But most of the handheld ones were not sharp; digital can be.

Direct link | Posted on Sep 10, 2014 at 17:29 UTC
In reply to:

RichRMA: Using a phone as a primary photographic instruments is just being lazy. If you are a DSLR/mirrorless user and someone suggested to go use a little P&S, if you value the images you take, you'd ignore the suggestion. So why go and take images with a phone, other than the convenience?

@DerSteppenwolf, no, but I find that a lot of film users have a short memory. Note that I was talking about a good film point-and-shoot, not a film SLR. Now remember that film above ISO 400 was grainy and had terrible dynamic range. My iPhone can outshoot that film P&S in low light, because ISO 800 out of today's phones looks a lot better than ISO 800 color film. Partly because of the sensor, because my iPhone is f/2.4 and my film P&S lens wasn't that fast. Also because film cameras have no noise reduction or stabilization. I have phone apps that will let me control exposure settings on my phone a lot more precisely than on my film P&S. Better burst mode, better long exposure, time lapse, MUCH better white balance digitally...the list goes on...

Direct link | Posted on Sep 10, 2014 at 02:44 UTC
In reply to:

Joseph Black: It's nice to know some companies choose deliberate development rather than the rapid release of poorly conceived gimmicks. Not to say Apple doesn't have a gimmick here and there, but when they do something they do it right.

If you want to go far back enough, if Apple had a rule that they couldn't do anything that wasn't invented first, you would have waited several more years to use a mouse and a graphical windowed interface on a consumer computer. How much longer should we have waited? When Apple introduced multitouch on the iPhone, the only other example was the Surface furniture-sized proof of concept by Microsoft. How long did we want to wait for MS to convert that piece of furniture into something you could actually buy at a store and put in your pocket?

In the end it doesn't matter that Apple didn't do things first. It matters simply that Apple does them at all, because sometimes that's the only way the industry finds out how it's supposed to be done.

Direct link | Posted on Sep 9, 2014 at 23:38 UTC
In reply to:

Jurka: Still without exposure compensation?????? Crap!!!!

Isn't that coming in iOS 8 in a couple weeks, along with the expanded camera APIs?

Direct link | Posted on Sep 9, 2014 at 23:31 UTC
In reply to:

RichRMA: Using a phone as a primary photographic instruments is just being lazy. If you are a DSLR/mirrorless user and someone suggested to go use a little P&S, if you value the images you take, you'd ignore the suggestion. So why go and take images with a phone, other than the convenience?

You're treating this as an either/or question instead of a both/and question. Instead of blocking off the possibility of creating images when the pro gear is not at hand, why not enable that possibility?

You said "If you value the images you take..." Well, if you value the practice of image-making, you would be open to taking images in as many situations as possible. In many situations, phone cameras are now better than many of the film cameras we used to use. Along with the SLR that would probably impress you just because it is one, I used to carry a respectable P&S as a second compact body on vacations and put good film in it, but phones blow that away.

Readers of this thread can choose to either believe you...or the thousands of professional photographers that have absolutely no hangups about taking photos with their phones, some even enjoying it when they're not shooting with their pro gear. Instead of thinking either/or, those pros think both pro gear AND phone cameras.

Direct link | Posted on Sep 9, 2014 at 23:21 UTC
On Cold War camera: 1950s Berlin in color (part 1) article (117 comments in total)
In reply to:

Steve in GA: Generations have passed since the end of World War II, but pictures like these help remind us of the horror, death and devastation brought by war.

A few years before these photos were taken, Berlin was perhaps the most impressive looking city in Europe. But, a German government that created new dimensions of insanity brought about the death of millions and destroyed this once beautiful city.

Ask Spain (Guernica etc.) if Germany was just sitting harmlessly behind its own borders in the 1930s.

Direct link | Posted on Sep 6, 2014 at 17:37 UTC
In reply to:

gxtoast: There still does not exist on the market a dual 2.5" HDD combo that allows configuration in RAID 1 (mirror). Large capacity drives make mirroring much more cost effective while enabling simple and solid fault tolerant storage.

I'm also really surprised that we haven't seen similar large volume, yet slower, SSD mirrored storage using low cost TLC chips. Slower compared to regular TLC SSD speeds, but much faster than 5400 RPM 2.5" HDD speeds.

Weird. Particularly so when considering the rising desire to have fault tolerant storage, especially for portable use where HDDs are susceptible to movement and being dropped or bumped.

Go figure. No one was doing mirrored portable USB last time I checked a few months ago.

Would this work? It's been available for a while.
Elite Pro Dual Mini
http://eshop.macsales.com/shop/firewire/EliteALmini/RAID/eSATA_FW800_FW400_USB
"Large storage capacity and selectable RAID-0, RAID-1, or span drive modes..." and claims to be bus-powered.

You can buy it empty if you want to put your own drives in it.

The seller is a very reputable and well-regarded maker of RAM and storage. I've been buying their products for years, although I haven't tried that dual 2.5.

Direct link | Posted on Sep 6, 2014 at 17:33 UTC
On Cold War camera: 1950s Berlin in color (part 1) article (117 comments in total)
In reply to:

Boss of Sony: I like these photos, although I think they have nothing to do with photography or cameras. They would probably be more appropriate on a history website. But I'm glad I saw them.

I think they have everything to do with photography and cameras. Without them, how would be be able to see this pictures?

We would only be able to see color sketches and paintings made in the spare time of servicemen. In other words, we wouldn't see them at all.

Direct link | Posted on Sep 5, 2014 at 18:50 UTC
On Canon confirms price drop on select EF lenses article (140 comments in total)

I use all Canon bodies and glass but...if Canon doesn't have any hardware in the pipeline to respond to the rise of micro four thirds, their only defenses will be lower prices and better marketing.

I'm not selling my Canon gear yet, but after evaluating my future needs I already know my next system is micro four thirds.

Direct link | Posted on Sep 3, 2014 at 00:24 UTC as 43rd comment | 1 reply
In reply to:

The Photo Ninja: Too bad not for Mac.

Not all applications can use Crossover, but if Crossover can run a Windows application 100% as well as Parallels, it's ludicrous to suggest that Parallels might be better.

The reason is system resources. I am a long-time Parallels user so I am a fan, but let's be serious here. If you make the decision to run Parallels, the resource requirements are much higher than Crossover. Parallels requires a complete Windows installation, Crossover does not. Running Parallels means your Mac needs enough additional RAM, CPU, and disk space to run full Windows on top of OS X along with all the Mac apps you want to run. If you have a beefed-up Mac, you should be fine, but if you have a base Mac, Crossover will burden your Mac far less than Parallels (or any full virtualizer) will.

Direct link | Posted on Aug 31, 2014 at 23:21 UTC
In reply to:

InTheMist: Wow, how do you make a LIVE wildlife course? When I shoot wildlife, it's 90% stalking around searching for subjects. And three DAYS!?

"it's 90% stalking around searching for subjects"

The reason they can do that workshop is that your statement is wrong. 40% is planning and preparation, probably 30-40% is post processing and image management, and maybe 10% is stalking around searching for subjects. As opposed to other types of photography, where maybe planning is only 30-40%, and actual shooting time only 1-2%.

If you don't spend a high percentage on planning, training, and preparation, your stalking time will be unproductive.

Direct link | Posted on Aug 28, 2014 at 21:34 UTC
In reply to:

dbaechli: Nooooo Android ,-( Yet ,-)

Now I have to download and try it on my iPad and walk around blockheadstile..

I have high hopes, though, that it will be a huge success and come to other OSs soon. Well, maybe not to Windows Phone....

What Instagram has said in other published articles is that they intend to do an Android version, but "soon" has a big dependency: First Android must provide the necessary low-level API access to gyroscope and camera data, which apparently Android can't do now. If that's true, understand that no matter how hard Instagram works on an Android version, the date of "soon" can move no closer until Android adds what iOS already has.

Direct link | Posted on Aug 27, 2014 at 23:25 UTC
In reply to:

luben solev: Lars, does the app have to speed up the motion?

You mention speeding it up up to 12 times. But what if you want to keep the motion at 1x speed, but just smooth it out. Could it do that, or is the speeding up essential to the smoothing process?

I'm asking as if the app does not have to speed up the footage, this could end the need for steadycam use. Then one could keep the audio that goes with the video.

I'd check it myself, but I'm an Android man, so no access to the app as yet.

I have the app. The slowest playback speed is 1x, or real time. I shook it around a bit during capture and it clearly tries to compensate even at 1x.

Direct link | Posted on Aug 27, 2014 at 23:23 UTC
In reply to:

Just another Canon shooter: Light polution causes serious problems! Really?

The sad thought that people don't believe in light pollution problems and are joking about them here reminded me of something I read recently. There's a big scenic rock on the Oregon Coast that's a tourist attraction for the town of Cannon Beacn. When the highway went in, the town was concerned people wouldn't stop anymore so they installed bright lights on the huge rock so people could see it from the highway at night. What could go wrong, right? Well, turns out the rock is a major nesting habitat for migrating seabirds. The bright lights completely confused and alarmed the birds because they couldn't find their nests. Big deal, right?

The confused birds, who couldn't find their way back to their nests in all the glare, fled to the seacoast. Which is where the town is. The people woke up next morning to a town absolutely buried in bird crap. And it kept happening, every day, until the town took down the lights.

Direct link | Posted on Aug 21, 2014 at 21:35 UTC
In reply to:

Just another Canon shooter: Light polution causes serious problems! Really?

Light pollution does cause serious problems. The issue is not new.

From Wikipedia, "Medical research on the effects of excessive light on the human body suggests that a variety of adverse health effects may be caused by light pollution or excessive light exposure...may include: increased headache incidence, worker fatigue, medically defined stress, decrease in sexual function and increase in anxiety...

"Light pollution poses a serious threat in particular to nocturnal wildlife, having negative impacts on plant and animal physiology. It can confuse animal navigation, alter competitive interactions, change predator-prey relations…deleterious impacts on animals and ecosystems because of perturbation of polarized light or artificial polarisation of light (even during the day, because direction of natural polarization of sun light and its reflexion is a source of information for a lot of animals)…Lights on tall structures can disorient migrating birds…" (who are known to use the stars)

Direct link | Posted on Aug 21, 2014 at 21:00 UTC
Total: 471, showing: 1 – 20
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